Featuring Nicole Flynn, Amelia McAfee-Brunner, Victor Pereira, Dylan Harman, and Lindsey Chalmers

Wolf Sounds is not a story about experiences that are exclusive to people with special needs. Its magic lies in its being an achingly universal story about human longing and desire. In many ways it is relatable because it is so simple.

- Jeremy Gardiner, Mooney on Theatre

The way they work both together and separately is fascinating and after the play ends you see the real camaraderie the actors have with each other. They have to – since the roles are very physical and it is integral that they be comfortable being in close contact at certain points in the play.

- Erin Corrado, I Am Not Invisible

Sensitively and symbolically staged in a small space, the number of innovative tricks (including one of the best onstage disappearances without traps below deck I have witnessed) employed to challenge the performers and the audience is astounding for a one hour show.

- Jason Booker, The Charlebois Post

Featuring Philip Furgiuele and Janelle Hanna

This script feels eerily post-millennium for something set in the 30s–and perhaps that’s the point. The 30s, like the 00s and 10s, was an era when the old scripts around adulthood in general and gender in particular suddenly stopped working. Young people–here played by Janelle Hanna and Philip Furgiuele–are left to cobble together whatever they can, and the results aren’t always going to be pretty.

- Mike Anderson, Mooney on Theatre

Philip Furgiuele shows an impressive range, going from human cartoon to wounded animal as the evening progresses, while Janelle Hanna smoulders and cracks, deftly underplaying a part which requires nothing less–and Laura Anne Harris’ direction adds leavening moments of physical comedy.

- Mike Anderson, Mooney on Theatre

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